Achieving mastery of a craft takes lots of time and patience. Photography’s most devoted practitioners pursue the elusive status of mastery one shoot at a time, one shot at a time, over many years. It’s not easy.
This article is an effort to break down the complexities of mastering photography, in hopes of providing those in the early stages of professional photography a solid foundation of what to expect. And even if you’re an experienced photographer, you can bookmark this article to send to aspiring photographers who will inevitably approach you for help.
Questions from newcomers often focus on equipment. This article considers gear, but focuses elsewhere. It stresses the importance, especially in the early stages of serious photography, of learning skills over acquiring gear.
To properly understand just how intricate the craft of photography is, let’s first look at its development over the past two centuries.
Brief History of Photography
Before becoming a practical and versatile art form, photography evolved from a concept first described in theoretical detail by Leonardo da Vinci in the 15th century. Here’s a fascinating historical timeline.
Photographic images were first captured in the early 1800s with a literal hole in the wall named a “camera obscura.” The light coming through a small hole in a darkened room would project an image of the scene outside, which was traced onto paper and then filled in. This was all done via light and hand. Near the end of the century, Kodak began producing film, followed by the world’s first mass-marketed portable camera, the Kodak Brownie, in 1900.
Through the 20th century, film photography became an increasingly popular hobby, and the world saw more and more photography studios popping up everywhere. With the digital camera revolution (starting in 1975), the technology became cheaper and more mass-produced as time went on. Fast-forward to today: it is estimated that five billion people in the world now own smartphones, meaning that at least that many carry around a camera in their pocket. This figure doesn’t include the countless point-and-shoot, DSLR, and mirrorless cameras owned by professionals and amateurs.
Developing a Plan
As I mentioned earlier, those new to photography will often reach out to online message boards or friends in the field asking which camera they should purchase. There are a few problems in prioritising your entry into photography with the dreaded “which camera should I buy?” question:
- Unless you plan on diving into commercial work right off the bat (I’d advise against that), your choice of a camera model won’t influence your success. If the camera in your hands has all the basic functions of ISO, aperture, and shutter speed, it’s fine to learn on. Just buy a heavily used DSLR bodyfor $100 and a 50mm lens for $53. The additional $3,000 or so that you would spend on a sophisticated full frame body will do absolutely nothing for your photos when you don’t yet understand how it works.
- Your lens(es) are arguably more important than the camera body anyway. And you can learn plenty about light from studying different lenses, since they will vary in aperture size.
- Getting caught in the “gear trap” (a.k.a. Shiny Object Syndrome) is a waste of your time and resources, especially when you’re starting out. Instead of spending boatloads of cash on the fanciest gear you can afford, spend your time learning all the basics of exposure, camera controls, composition, image processing, and the techniques in your chosen speciality fields. More on that last one in part two of this article.
You have your (basic) photography kit. Where to begin? Start with solid entry-level learning.
- Tutorials are available from a number of sources. Of course, I’m especially familiar with the quality tutorials here at Fstoppers. A great place to start would be the Photography 101 course, and we host plenty of great specialised courses to help you start building your photography business.
- If you’re on a budget, YouTube and many other photography blogs provide many useful guides and tutorials, and much of that content is completely free. If you don’t already have a YouTube account, create one so you can start subscribing to all the content-rich channels that are regularly putting out free informational videos. Just make sure to be constantly practicing the fresh concepts and techniques you’re learning. New skills become an instinctive tool after you’ve had experience applying them with the camera in your hands but can soon disappear if simply read and never practised.
- A mentor can be a great source for one-on-one business advice and technical instruction. One caution: this can range from a bit of friendly free advice to costly (if valuable) professional training. An alternative to a mentor is taking classes at a local art or photography centre. Such classes can offer a relatively low-cost option that still provides face-to-face photography training.
- Photography books are another great way to learn. But as with online tutorials, be sure to keep actively practising the concepts you’re learning so that you’re fully absorbing them.
It’s time to address the elephant in the room (one pricey pachyderm): college education. College degrees are required for many jobs, and that includes some (but not much) photography employment. And it’s true that on average, degree-holders have higher incomes than non-degree-holders. But the gap between those demographics is closing.
Is a college degree in photography or general arts worth its steep price? For those who plan to start their own photography business, the short answer is “probably not.” For those more likely to be a contracted employee (working for another photographer or a company) my response is “maybe.”
A degree in photography can obviously be beneficial in landing an entry-level job in the field. But if you plan to freelance, it’s really not necessary. Although I enjoyed the time I spent earning my Photography/Art degree, not a single client of mine has ever asked for my college credentials. I view my college diploma as little more than the most expensive piece of paper I’ve ever purchased. If you are set on a formal college or university photography program, select your program carefully and consider how necessary it is for your end goals. And be careful that you prepare for the potential loan debt and investment of time required.
This doesn’t mean you should skip on your photography education or not consider college for an arts degree if you plan to freelance. All that negativity about college aside, the feedback I got from my college photo teachers was invaluable. So, make sure that critiques and/or some classes, lessons, or mentors are part of your education.
So what’s the outlook on becoming proficient in photography if you decide to go the college route? Naturally, you’re looking at a minimum of four years for most standard bachelor’s programs. These programs slow learning down to a trickle, which could be good or bad. This might benefit you, because you will have plenty of time to practice and hone your craft. But the slow pace of a degree could be more costly and time-consuming than self-educating via the sources listed above.
I hope this has helped you simplify your outlook on the daunting process of mastering photography. We’ll pick back up with several more topics next week: critiques, learning curves, real-world experience, the 10,000-hour rule, and specialisation. How does my experience with learning photography compare with your own? Please share your thoughts in the comments section below.